Sometimes Life Looks Better in Black and White...and Grey
Last night, I was watching these Murat and Michelle videos again (see below), and I wondered why they were so appealing to me, more than some of the others I watch. I love watching this couple, and their musicality and interpretation is swoon-worthy.
But I realized that part of what draws me in is that these videos are filmed in black and white.
There's something about the black and white aesthetic that allows us to focus on the nuances, the shadows: the visual equivalent of those ineffable parts that make tango what it is. Black and white reveals an inner life. There's a privateness to it.
It's the same reason why I love black and white movies so much. Faces are more interesting, more beautiful to me that way. Locations have more depth, more character.
Look at Rita Hayworth in You Were Never Lovelier (one of my favorite films ever), and then again in Cover Girl. Same gorgeous woman, but her face is incomparable in black and white.
Glorious color has its place, to be sure, but it also provides a distraction to the eye that can take away from the intensity of the action or the intimacy of the moment.
Murat and Michelle dancing in Tango Amor show in Maui, August 2007. The tango is "Remolino" by Francini Pontier and Raul Beron.
Tango improvisation by Murat and Michelle at the La Belle Epoque Milonga, New York City, June 9th, 2006. Music: "En Esta Tarde Gris".

